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Mount House Gallery window installations, 2020

In March 2020, the UK locked down, and the Mount House Gallery closed the group exhibition early. The gallery would be empty until college, and life returned to itself.
I asked permission to use the windows of the gallery. The following five series of window sets are the result of a spontaneous idea sprouting from disappointment at seeing an empty gallery space and the desire to brighten the town in some way.

Each window pane, as it turned out was the perfect size for an A3 sized paper so I chose and printed forty photographs of macro views of flowers. I found a quote that paired well with this theme and the following evening I installed the images. I didn’t think I would be doing more than one because of course, we were told “two weeks to flatten the curve”. It seems naive in retrospect to have believed this, but what resulted was a joy for me to create.

“ONE TOUCH OF NATURE MAKES THE WHOLE WORLD KIN.” ~Shakespeare

“IF THERE IS MAGIC ON THIS PLANET, IT IS CONTAINED IN WATER.” ~LOREN EISELY

“TREES ARE THE POEMS THE EARTH WRITES UPON THE SKY.” ~KAHLIL GIBRAN

Easter weekend. Photographs taken of spring flowers and skies. Over two-hundred butterflies cut from printed vellum originally planned for an installation in the college chapel, but cancellation meant I was able to use them here.  

The final window installation stayed up for several weeks. THANK YOU to all those health care workers who risked their careers and reputations to speak out, to speak truth, and to dare to go against the main stream. 

Exploring Totem 2013

Exploring Totem Series  |  2013  |  Ranger Station Art Gallery  |  Harrison Hot Springs, Canada

This series began in the summer of 2012 and has grown into a body of hundreds of digitally manipulated photographs. During my artist residency in New York that particular summer, I began to add various man-made elements to my paintings/drawings, turning them upside down and on their sides to add to and distort the narrative aspect of my abstract, nature influenced work. I moved to Harrison Hot Springs for the year long tenure as Artist in Residence at the former outpost Ranger Station in September of that year and began instinctively taking hundreds of photographs as a way of documenting my new surroundings. While exploring the area and formatting the photographs taken, I started to see the parallel between what I was doing in my paintings and what was possible with photography. I began rotating, flipping and mirroring the photographs as a way to take the immediately recognizable landscape, shift perspective and potentially build iconic monuments stemming from but not held in reality.
By calling them Totems I mean to give respect to the First Nations people who reverently build Totem poles to commemorate their ancestry, history, land, kinship and allegory of clans. The word itself, although tied originally to the Ojibwe people (doo-dem)as far back as the late 1700s, is most often associated with the west coast tradition of building and displaying these poles. It is both physically and ideologically what I am referencing -the reverence and connectivity to nature. These are, in a sense, my own way to express a deep love of my surroundings coupled with a concern for its welfare.

The photographs used have been taken in the Fraser Valley region (Chehalis, Seabird, Cheam and Papkum First Nations) of British Columbia with new pieces being added from Vancouver Island and the Southern Gulf Islands.

Some pieces are available by request as limited edition prints in various sizes
Selection of over thirty are available as postcards |
Contact for more information