The Shape of Longing, 2019

The Shape of Longing
Slip cast paper-clay bowls with slip cast elements of nature (bones, feathers, seaweed, moss, insects, shells etc)
113 pieces, each 8 – 15 cm

Curiosity, delight and a pensive hush filled the gallery room while for many the desire to touch the pieces was substantial. In this piece, what appears to be lost is actually simply transitioned, and what is recognizable lays in perfect quietude held gently within the bowls, ranging from elegant to broken down.

One paper-clay slip cast vessel containing a slip cast flower began an experiment to see if something delicate and natural could survive the thousand degree temperature of a kiln firing. The Shape of Longing became an ongoing project of discovery coupled with a formulated desire to record and save elements of my surroundings and recent experiences. To make precious the small intricacies and to ultimately draw an audience in to look closely, to consider, to question, and to be hyper aware of the fragility of what was before them turned my insular investigation into a exquisite shared experience.


Braving the Anthropocene 2019

Braving the Anthropocene: Air, Fire, Earth, Ether & Water
Reclaimed sports helmets with found natural elements such as pheasant feathers, branches, dragonfly, beech seed pods, burnt wood & ashes, flies, paperclay branches, discarded bird nest section, shuttle cock feathers
Sizes variable

Thinking of the climate crisis, and of our disappearing environment, presenting questions about tenacity, fragility, resilience and beauty. Thinking of the human attempt to act as guardians.
Thinking of respect and honouring the land.
Thinking of both hope and fear for the future; thinking of the confluence of man-made with nature.
Thinking of how these helmets, each representing an element: Air, Fire, Earth, Ether and Water, represent the intertwining with natural worlds around us, the battle for ourselves and for our survival.



The Voyagers 2019


Taxidermy pigeon, 280+ hand-built paper clay branches, discarded fishing net
260 x 108 x 58 cm

Creating hundreds of paper clay, oxide stained branches to waive into the discarded fishing net extends the visual story of the pigeon from being simply in flight to one of rescue or relief. To what end have these branches been collected? While they are symbolic of nature as a whole, they also represent the cycle of gathering materials with which to create a home.
There is a tension between the branches that are suspended being carried away on a mission, and those left trailing in a precarious position on the gallery floor close to the footsteps and actions of the gallery audience. I am interested in this interactive narrative which mirrors life, the audience holding the potential for contrasting roles as the observer, caretaker and destroyer.
While the word could signify the animal kingdom, the hand-built branches, ranging in colour from a dark charcoal grey to almost white, represent the struggles of the natural environment on both land and sea (forest fires and coral bleaching). Emotions stemming from this piece range from hope to vulnerability, affording the viewer an intimate reflective moment in the current climate crisis.